When We Get There says it all in the title. Although the show has historical and meaningful time stamps, it reaches beyond and makes its audience sit with what was and challenges them to ponder our current state of affairs now. The message of this show is more important now than ever.
— Q. Smith, Actress

Four people — one white, three black —  journey from Ridgewood, New Jersey, to Selma, Alabama, in the spring of 1965 to join a voting rights march across the Edmund Pettus Bridge. Rose Shapiro, a diamond merchant's widow, takes her driver, Terrance Witt, her housekeeper, Mary Jacks, and Mary’s teenage daughter, Dawn, on a road trip fraught with physical danger as well as personal and racial tension. Both the danger and the tension intensify as the group drives further South. State Troopers beat and tear gas the marchers on a day that would become known as Bloody Sunday. Our battered and bloody group limps home, but their trip becomes even more strained as family secrets are revealed and deep-seated prejudices exposed. The show ends with a new, if fragile, understanding of what a family — and just maybe what a country — can be. 

ROSE SHAPIRO, 60, a widow from Ridgewood, New Jersey
TERRANCE WITT, 44, Rose's driver and handyman
MARY JACKS, 38, Rose's housekeeper

DAWN JACKS, 16, Mary's daughter

I’m smitten! When We Get There is wonderful. The songs are terrific. Your show touches me. You can count on me for any support I can offer. I so admire your courage, your patriotism, your talents. Your show is brilliant and so timely. With its small cast and small orchestra, it will be a dream to produce. It is TIME FOR THIS SHOW!
— Kary Walker,(retired) Executive Director of Marriott Theatre, Lincolnshire, IL, for 21 years